春天  Vor

★ 2025 台北電影獎 最佳動畫提名  2025 Nominee for Best Animation, Taipei Film Awards
★ 2024 高雄電影節  2024 Kaohsiung Film Festival

擁有幻覺的紅豆以為自己是一臺監視器，每天和管理員狐狸窩在停車場，她監視，動也不動的專心。百無聊賴，直到停車場對面送來一臺自動販賣機。那個每天來投幣可樂的男生叫蘿蔔。那天蘿蔔和紅⾖在世界的邊緣相遇，那天起炎熱夏季化作春天。

Bean's delusion made her think she was a surveillance camera. Every day, she’d stay in the parking lot with Fox, the manager, watching everything intently without moving. Life was dull until one day, a vending machine appeared across the lot, and a boy named Daikon came daily to buy a can of Coke.

黃秉安  HUANG Ping-an

1999年生於臺中，畢業於實踐大學媒體傳達設計學系。2021年動畫作品《河豚》入圍高雄電影節國際短片競賽、金穗獎與台北電影獎最佳動畫，作品尚有《夢的河流》、《春天》，與漫畫《火山的規矩》等。

HUANG Ping-an was born in 1999. She is the creator of The River, Bruise, and the comic The Rules of the Volcano. She enjoys writing, and udon.

Ａ面：我的一天  Side A: A Summer Day

★ 2024 金馬獎 最佳劇情短片  2024 Best Feature Short Film, Golden Horse Awards 
★ 2025 塔林黑夜影展 短片競賽  2024 Tallinn Black Nights Film Festival

暑假就要結束了，阿飛還有一個錄音作業「我的一天」沒有完成。為了補救作業，阿飛請媽媽與自己重新度過假期的一天，他努力修正細節，希望作業裡面的自己，聽起來既快樂又充實。在錄音帶捲盡之後，作業背後卻藏著阿飛沒聽見的另一面故事。

On the last day of summer, Fei and his mother cannot stop arguing. Fei finds a cassette tape in his bag since he is asked to record a summer day as schoolwork. Mother and son set off on a bold plan, reliving the last day of summer.

温景輝  WAN Kin-fai

曾跟隨張作驥學習電影製作，參與《醉．生夢死》、《那個我最親愛的陌生人》等作品。2020年以短片《成日》、《四時飄飄》入選香港鮮浪潮短片節。2024年《A面：我的一天》獲金馬獎最佳劇情短片。

WAN Kin-fai learned filmmaking from director CHANG Tso-chi through his participation in Thanatos, Drunk and Synapses.
 

浮游物  The Foreigner

★ 2024 高雄電影節  2024 Kaohsiung Film Festival

作為工廠夜班保全，阿邦算是喜歡自己的工作，畢竟收工後的廠區除了宿舍裡的外籍女工偶爾需要他的幫忙，還能出什麼大事？巡邏、拍照、簽到，輕輕鬆鬆，甚至偷懶睡覺也不會有人知道。就是有些寂寞，有些無聊……。

As a night shift security guard at the factory, A-Bang kind of likes his job. After all, besides doing some chores for the female migrant workers in the dormitory, there are hardly any problems. Patrolling, taking photos, signing in—it's all quite easy, but also quite solitary…

薛文碩  HSUEH Wen-shuo

畢業於世新大學廣播電視電影學系電影組。2018年《第一廣場》獲得高雄電影節國際短片競賽臺灣學生獎、金穗獎首獎及最佳導演等肯定。

HSUEH Wen-shuo graduated from Shih Hsin University. His short film Lovely Sundays won the Grand Prize and Best Director at the 2019 Golden Harvest Awards, and the Taiwan Student Award at the 2018 KFF International Short Film Competition.
 

化  Essence

★ 2025 金穗獎 評審團特別獎  2025 Special Jury Award, Golden Harvest Awards
★ 2024 金馬獎 動畫短片提名  2024 Nominee for Animated Short Film, Golden Horse Awards

虛空中拂來一陣細風和四方氣息，與草葉畢具而成一獸。草化羽，葉化身，照見自我的同時，環境也相應而生，透過風相互回應著，感受他者的同時，也被他者感受，來來回回，直至一切成為一場律動，所有的邊界將不再清晰……。

From emptiness, a gentle breeze stirs, gathering grass and leaves to form a creature. As It catches sight of itself, the world echoes into being, stirred by the wind. Feeling others, It is felt in return, in a rhythm where all boundaries blur into a seamless dance of harmony...

洪菀妤  HUNG Wan-yu

畢業於臺北藝術大學動畫學系。喜歡手做的材料質感，創作以偶動畫、停格動畫與手繪動畫為主。2023年合製作品《凝視》獲北藝當代創作獎評審團特別獎。

HUNG Wan-yu majored in animation at Taipei National University of the Arts. She enjoys the texture of handmade materials and the meticulous process of flawless execution. Her creative techniques primarily focus on puppetry, stop-motion animation, and hand-drawn animation.
 

侯硐奇譚  The Tales of the Tale

★ 2025 山形紀錄片影展  2025 Yamagata International Documentary Film Festival
★ 2025 金穗獎 評審團特別獎  2025 Special Jury Award, Golden Harvest Awards

在山上還沒有人的時候，那裡有一個住著一群猴子的山洞，稱作「猴洞」。山頭另一邊，山神派了一群鬼火，守護著地底下的寶藏，直到寶藏被挖出來，鬼火就消失無蹤了。本片收錄十幾個侯硐的異事奇聞，橫跨日殖、戰後的礦業時期，以及收坑至今保存礦業文史的現代。

Before there were people in the mountains, a group of monkeys lived in a cave. This place came to be known as Monkey Cave. Beyond the mountain peak, the god of the mountain dispatched ghostly flames to guard treasures hidden underground. However, when the treasures were unearthed, the ghostly flames vanished.


 
宋承穎  SONG Cheng-ying

畢業於臺北藝術大學電影創作學系。導演作品有《你剛才說的是笑話嗎?》、《拍廢墟的人》。

SONG Cheng-ying graduated from Taipei National University of the Arts. He has worked as a director, screenwriter, and editor on several films.


胡清雅  HU Chin-ya

畢業於臺灣大學新聞研究所。《窗殺》獲2023年全球華文永續報導獎專業組長片類優等、2024年金穗獎最佳紀錄片。

HU Chin-ya, based in Taipei, Taiwan, was a freelance writer for independent media in Taiwan. She now produces documentaries concerning human conditions amid social change.