在虛構小鎮格通基肯堡，一名工人多雷姆離奇死亡，引來了導演荷索前往調查。然而，這名導演既是主角也是旁白，卻並非一個「真人」。觀眾隨他走入這場謎案，並在訪談死者妻子、老闆與鄰居等人之後，發現兇殺案件層層錯位，現實與虛構逐漸模糊。這是一場真假難辨的死亡調查，也是一齣仿紀實的敘事遊戲，懸疑與冷幽默中推進，真相始終飄忽難辨。

本片為彼得．維涅維茲首部劇情長片，由AI撰寫的劇本出發，並透過德國名導荷索的真假面容、身影和聲音擬真仿建，構築出一段似曾相識卻荒謬迷人的黑色寓言。正如導演提及，本作是欲讓觀眾對AI技術與自身存在的複雜性提出質疑，深偽技術（Deepfake）、思辨訪談，結合人造的關係接觸，甚至對機械的親密行為，不僅是一次對影像語言的後設質問，也是一部關於AI能否模仿人類情感的哲思，展現大銀幕中科技與藝術創作邊界的碰撞體驗。

The film begins with a quote by German filmmaker Werner HERZOG: “A computer will not make a film as good as mine in 4,500 years." Director Piotr, perhaps deliberately choosing an artist who stands in stark contrast to AI technologies, fed HERZOG's screenplays into an AI system, and completed the film based on a scenario generated by the AI. Set in a fictional German city, the film revolves around the mysterious death of a character named Clery. It adopts a documentary style led by a narrator reminiscent of HERZOG himself. As the story traces the investigation into Clery’s death, the emotional reactions of those around her symbolically highlight the gap between human complexity and technological reproduction.