Taiwan｜2003｜DVD｜Color｜45min｜Mandarin｜Chinese Subtitles

「我不知道哪裡可以是我們的家？」

這是一部關於甜蜜與創傷、追求與失落的紀錄片。在哀愁的預感中，一首同志與幸福的青鳥之歌，彷彿正在遠方，就要與生命擦肩而過。影片中忠實呈現婚姻暴力，如潛伏的深河，如絲如縷一路留下記號與傷痕。倖存的孩童無力解釋，只能記憶。

This is a documentary about sweetness and hurt, pursuit and loss. A story of two marriages, one lesbian and one gay. The parallel structure lays bare the complexity of queer love, but also the cruelty inherent to love itself. Domestic violence, faithfully captured by the camera, threads its way like a deep silent river, cutting out its course and leaving a path of marks and scars. The survivor is like a child who cannot explain, but can only remember.

Taiwan｜2005｜DVD｜Color｜52min｜Mandarin｜Chinese Subtitles

「我試著在故事的縫隙中解謎，尋找通往秘密的入口。」

導演陳俊志長期蹲點五年，紀錄台灣同志族群裡，弱勢中的弱勢─中老年同志的真實生活與生命史。同志歷經喪偶，走過悲傷的心路歷程，在過去主流歷史書寫中，從未被關心過的生命議題，也在片中娓娓道來。

In Scars on Memory, Mickey CHEN parallels and interweaves two gay love stories in a pretty diaspora and literary way. Continuing his thematic focus on constructing generational perception and visibility of Taiwan’s gay community, this time Mickey CHEN brings on two fabulous and vivid ‘gay senior citizens’–Madame Yu and Auntie Jiang. They recount their touching love stories in with both humor and pathos.

Taiwan｜2007｜DVD｜Color｜12min｜Mandarin｜Chinese Subtitles

「一場愛的拔河正要開始」

小海的身體是他縱橫趴場的通行證，遊走在清醒和迷亂的界線邊緣，遭遇上浮士德二人組，經歷有如《巴黎初體驗》中經典3P床戲，小海彷彿是無色無味的一道橋，一條路，讓他們通往對方。本片以十二分鐘影像書寫一首詩，探索文字的「詩」和影像的「詩」如何連結，如何對位與錯位？

While Hai is wandering between the boundary of being aware and unconscious, he meets the Faust Duo, with whom he has a sexual intercourse like the classic threesome scene in Bertolucci's The Dreamers. Fragile in Love is a 12-minutes poem written with images, in which the director explores how to connect it with the poem written with words.

Taiwan｜2001｜DVD｜Color｜52min｜Mandarin｜Chinese Subtitles

「為台灣首部對抗性騷擾的紀錄片」

陳俊志透過手持鏡頭觀察四個身分不同的女性，在面對龐大的共犯結構之下，窺見性騷擾事件反映怎樣的性別權力關係與社會文化結構，更因拍攝此片，在2003年陳俊志導演與民間司法改革會共同呼籲，正視同志家暴事件，應將其納入家暴法保護範圍。

The director, Mickey CHEN, observes four women with different identities through his hand-held camera, and he delves into how the sexual harassment reflects the gender power relations and social-cultural structure when facing the huge complicity.