★ 2010 阿姆斯特丹國際紀錄片影展最佳紀錄長片
★ 2011 日舞影展

12年前荷蘭導演復訪父母的印尼原鄉，也開啟對一個貧民家庭的漫長紀錄。從《黎明將至》、《月亮的形狀》再到《星空之下》，三部曲走到最終章，導演繼續以詩意直覺的生猛運鏡，凝望在社會劇變下喘息的三代同堂。以微觀小家庭折射世代隔閡、宗教衝突與貧富差距。時而詼諧熱烈，時而沉靜憂傷，散發迷人人文光芒。

李奧納多・瑞特・亨瑞奇：「我在拍攝《星空之下》時採用跟前兩部片一樣的拍法，亦即我獨創的『單攝電影技法』。因為我和我的主要拍攝者們非常親近，我等於身處每件事情的中心，可以拍下事情的全盤面貌。我選擇這個拍攝方式是了解到身為觀察者，我也是我所觀察的一部分。作為一個人，我不是透過一系列斷裂的鏡頭來感知現實，而是透過一個持續性的事件，我也正是以這個方式在拍電影。」

Over twelve years, Leonard Retel Helmrich chronicles an Indonesian family in Jakarta's slums, revealing societal issues like corruption, religious conflicts, and economic disparity. His revolutionary camera work in this film continues the themes of his previous documentaries, and while connected, each film stands strong on its own, requiring no prior viewing to enjoy.

‘I shot Position Among the Stars with the same method as the previous two documentaries, ‘Single Shot Cinema,’ which I developed myself. Since I follow my main characters very closely, I’m centre stage at every event, so I can shoot the situation from inside out. I have opted for this method since I realise that as an observer, I am part of the event that I am observing. As a human being I don’t experience reality as a series of shots, but as one continuing event, so I shoot the situation from that perception.’ - Leonard Retel HELMRICH